2025 Festival Competition

For the first time, our festival featured a juried competition, with 16 films competing for the Grand Jury Feature Film Award, the Best Short Film Award, and the Francis Kwong Memorial Award recognizing an emerging director.

Jury President Roger Garcia's Closing Remarks:

First, I would like to thank Sophia Wong Boccio, founder of the Asian Pop-Up Cinema and her team, especially Jury Coordinator Ron Falzone, for the kind and generous hospitality that has made for a great and enjoyable jury and festival experience. Thank you also to the Board of Directors for continuing to support the festival’s contribution to the cultural life of this great city in Chicago.

Second, my sincere gratitude to Sophia for inviting me as Jury President for the festival’s first-ever competition section. It is a great honor and responsibility, and I would also like to thank my two fellow jurors, Barbara Scharres and Mark Schilling, for their invaluable contribution and support in the judging process.


Asia, of course, is a vast continent with a wide spectrum of cultures, languages and traditions, so a festival and its competition succeeds when the program itself is a balance between popular and art house works, and a kind of slice of the rich diversity of experiences, storytelling and talent that represents contemporary Asian cinema. We saw much of this in the competition selection with its judicious representation, not only from the main production centers of China, Hong Kong, Japan, Korea, and Taiwan, but also from other corners of the continent such as South East Asia and Mongolia.

The quality of films was high and the competition was close. Our discussions were enriching, and my fellow jurors’ knowledge and evaluations personally gave me greater insight into the works being considered. I hope that one of the results of our process will be to indicate some standard and guidance for future competitions and juries!

The continued diversity of the festival program, the attendance of talents, and exciting combination of titles for competition are all good signs for the things to come, and I wish the festival every success as it continues to move forward. Thank you! 
 

Grand Jury Feature Film Award
YEN AND AI-LEE (小雁與吳愛麗)
Directed by Tom Lin Shu-Yu | Taiwan

Jury's Dedication: The Award for Best Feature goes to a film that articulates the inner past and possible future of a young woman who tries to reclaim her life and identity. We were impressed by the director’s evocative use of the black and white widescreen format as well as the revelatory central performance of Kimi Hsia.

Director's Statement: Thank you so much to the jury members of Asian Pop-Up Cinema. It is such an honor for YEN AND AI-LEE to receive its inaugural Grand Jury Feature Film Award. I accept this accolade on behalf of our entire team. To have attended this festival in its early years, it is so exciting to see the growth and expansion of APUC. Thank you so much to Sophia Wong Boccio and your team for your continuing support and passion for showcasing Asian cinema and culture to Chicago. Thank you.
 

Francis Kwong Memorial Award
(Best New Director)
A LONG SHOT (老枪)
Directed by Gao Peng | Mainland China

Jury's Dedication: The Francis Kwong Memorial Award goes to a film by director Gao Peng that captures the desperation of a society in decline. We were impressed by the director’s handling of an ensemble cast and his creation of a tense and atmospheric drama centering on a decaying industrial area.

Director's Statement: Thank you to the jury, thank you to the audience. We created a story set thirty years ago—not a long time, yet for today's China, it feels like an entirely different era. The gap is so vast that when we mention that period in films now, we often face skepticism, as people believe no one cares about that time or those individuals anymore. As a debut feature, this certainly added some pressure, so receiving this award is deeply gratifying. A director's first work is always the purest. After this, the world becomes a little more complicated. May we always manage to hold onto a bit of that purity in this complex world—that’s also what makes filmmaking so joyful. Thank you to everyone.
 

Best Short Film Award
WANNA DIE WANNA KILL (죽고 싶다 죽이고 싶다)
Directed by Jaehee Jeong | South Korea

Jury's Dedication: With an unconventional approach to a conventional narrative, this black comedy—and shocker—catches you by the throat. WANNA DIE WANNA KILL announces the arrival of strikingly original new talent.

Director's Statement: I’m truly honored that WANNA DIE WANNA KILL has been awarded Best Short Film. Thank you to the jury for this incredible recognition, and to the audience for watching my film. I made this film for those who have been deeply hurt and ended up hurting themselves—especially young girls. I hope we can all keep living our terrible, yet occasionally beautiful lives—even if we all sometimes wanna die or wanna kill.
 

Competing for the Grand Jury Feature Film Award
Narrative and Documentary Feature

  • Tom Lin Shu-yu’s YEN AND AI-LEE (Taiwan)

  • Junichi Yasuda’s A SAMURAI IN TIME (Japan)

  • Sengedorj Janchivdorj’s SILENT CITY DRIVER (Mongolia)

  • Chuang Ching-shen’s THE UNIFORM (Taiwan)

  • Gao Peng’s A LONG SHOT (China)

  • Yeo Siew Hua’s STRANGER EYES (Singapore)

  • Daihachi Yoshida’s TEKI COMETH (Japan)

  • Park Ri-woong’s THE LAND OF MORNING CALM (South Korea)

Competing for the Best Short Film Award
Narrative/Animation Short and Documentary

  • Jaehee Jeong’s WANNA DIE WANNA KILL (South Korea)

  • Laurence Ly’s THE LITTLE SHOPPING TROLLEY (Canada)

  • Jennifer Fan Jiang’s UNDER THE KASAYA (Canada)

  • Chheangkea’s GRANDMA NAI WHO PLAYED FAVORITES (Cambodia)

Competing for the Francis Kwong Memorial Award
Recognizing an emerging new director (first or second feature film) with a Cash Prize of $2,000 US.

  • Gao Peng’s A LONG SHOT (China)

  • Naoya Kusaba's YUKIKO A.K.A. (Japan)

  • Ho Miu-ki's LOVE LIES (Hong Kong)

  • Lee Mi-rang's CONCERNING MY DAUGHTER (South Korea)

  • Park Ri-woong’s THE LAND OF MORNING CALM (South Korea)

  • Tumpal Tampubolon’s CROCODILE TEARS (Indonesia)

Meet Our Distinguished Jury

  • Roger Garcia, President of the Jury


    A film festival executive, producer, critic, and writer who has led major organizations such as the Hong Kong International Film Festival, the Asian Film Awards Academy, the International Film Camp (Macao), and the Korean Film Council's Script Development Lab. He has served as a curator, consultant, and juror for many international festivals. As a producer, he has worked on multiple award-winning films in Hollywood, Europe, and Asia.

  • Barbara Scharres, Juror


    Artistic Director of the Donald M. Ephraim Sun & Stars International Film Festival, she also works as a consultant, writer, and journalist. As the former Director of Programming for the Gene Siskel Film Center, she developed one of North America's largest year-round public programs of world cinema. She has given lectures on Asian cinema at famed institutions including Yale and Columbia University.

  • Mark Schilling, Juror


    A Tokyo-based critic, journalist, translator, and author who has covered Japanese cinema since 1975. A longtime reviewer for The Japan Times, he has also written for VarietyFilm Comment, and Kinema Junpo, was a script advisor on THE LAST SAMURAI, and has authored or contributed to over 50 books. He serves as a program advisor for the Udine Far East Film Festival.

Chicago’s longrunning Pan-Asian film festival